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Ever since jazz appeared in Hungary in the 1920s, it has entered an interaction with Gypsymusic of the coffee houses, which has been practised by the Romani minority as an urban, folkloristic, popular style of music. Instances when the Romani came across jazz, viewed from a historical angle, provide excellent examples of the complex ways Gypsy musicians related to the urban culture of different times. As in French and German-speaking countries, Roma and Sinti entertainment musicians in Hungary embraced jazz and transmitted it to their audience alongside the local repertoire. We believe that it is necessary to look into issues of history, society, (popular) culture, aesthetics, musicology, etc. in order to provide valid answers by Romani studies and jazz studies. From the viewpoint of interdisciplinary jazz studies, Gypsy musicians appear in a number of crucially important contexts, so that studies examining the social situation of the Roma and cultural science-based jazz studies may complement each other ideally and together they may be able to produce fruitful knowledge for both fields. The conference is aiming at this kind of synthesis by expecting talks exploringthe relation of the Gypsy/Roma to music and to jazz in the sphere of their own disciplines. There has been a certain ambivalence concerning the social acceptance of Gypsy music ever since the days of Ferenc Liszt whose book on the subject was based on false assumptions while his compositions truly elevated this music. Since then, a lot of scholarly and amateur works have been published, but there are some unanswered questions left. We are convinced that through the opportunities provided by the conference Hungarian researchers could play an inspiring role in the international scientific work to come on these subjects. The conference will be held in Hungarian and English. Applicants are expected to send in a 200-250 word abstract in Hungarian and/or English with a bio of max. 100 words, including their affiliation. The same parameters are expected to be followed by applicants for the following events at the conference: roundtable, symposium (a couple of shorter contributions to the same subject) or workshop (held interactively about one topic) to the following e-mail address: jatakucs@gmail.comDeadline: August 31, 2020.The proceedings are planned to be published in Hungarian (Gondolat Publishers, Budapest)and in English (L’ Harmattan, Paris) , in separate volumes. Conference Committee: Eszter György (ELTE BTK Atelier) Tamás H ajnáczky ( KRE) Ádám Havas (Milestone Inst.)Lynn M. Hooker (Purdue University) Ernő Kállai (SZTE) Kornél Zipernovszky (Jatakucs)
Social Inclusion
Hungarian Gypsy Musician's National Association: Battles Faced by Gypsy Musicians in Hungary during the Interwar Years2020 •
Müpa Jazz Studies Symposium short program
2020 INTERNATIONAL JAZZ STUDIES SYMPOSIUM 20202020 •
The Second International Jazz Studies Symposium at Müpa (Palace of Arts, Budapest), held in conjunction with the Müpa Jazz Showcase festival, will be held on the 8th of February. Distinguished lecturers from abroad and from Hungary, among them jury members of the Showcase, include keynote speaker prof. Krin Gabbard (Columbia University), much-in-demand saxophone soloist, PhD student János Ávéd; researcher of the Schiller University, Jena, Martin Breternitz and senior scientist of the Graz Jazz Research Institute Márton Szegedi. The closing roundtable invites eminent experts, a musicologist, a historian, and a film archivist to help answer the question of the title: ‘Does Hungarian jazz constitute cultural heritage? If yes, how should we preserve it?’ The Symposium is organised with the Jazz Studies Research Group (Jatakucs by its Hungarian acronym) and will be bilingual, with all Hungarian lectures translated to English and vice versa. Registration is free at the address info@mupa.hu. Short program enclosed. Full abstracts available at https://magyarjazz.hu/jazz-in-english
In: Csaplár-Degovics Krisztián - Mitrovits Miklós - Zahorán Csaba (eds.): After Twenty Years... Reasons and Consequences of the Transformation in Central and Eastern Europe. Berlin, OEZ Verlag – Terra Recognita Foundation, 2010. 298-327.
Binder, Mátyás: Changes in the Image of ‘Gypsies’ in Slovakia and Hungary after the Post-Communist Transition2010 •
Hungarian Studies
From café to stage to museum: The transformation of the Gypsy music industry in 20th-century Hungary2015 •
In this essay I focus on what is called the jazz era and try to examine how in Hungary the music played by Gypsy orchestras and by jazz bands became utterances in a discourse at the intersection of power relations inflected by ethnic, race, and nationalist concerns. The tunes of nationalism and revisionism in post-Trianon Hungary were mostly played by Gypsy orchestras when their members were also losing ground and their daily bread, due to the new fad, American jazz. While Gypsy musicians sought to keep their jobs by voicing xenophobic-nationalist agendas, jazz became to be identified as Race music on the other side of the Atlantic as part of the African American struggle for racial integration. I explore the process how jazz became the dominant urban fashion in Hungary, what the reactions of the Gypsy musicians and the music establishment were to jazz, and how the narrative of the racialized clash between Hungarian Gypsy music and American jazz emerged.
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